The St Thomas More Columbarium, nestled in the serene surroundings of Bateman, Western Australia, is a testament to the power of thoughtful architecture. This project, led by Simon Pendal Architect, is more than just a columbarium; it's a sanctuary that seamlessly blends functionality with aesthetic appeal, offering a peaceful haven for reflection and remembrance. What makes this structure truly remarkable is its ability to respect the existing environment and the needs of the community while creating a space that is both meaningful and visually captivating.
One of the key aspects of this design is its simplicity. The three stone "towers" that form the heart of the columbarium are not only visually striking but also highly functional. Each tower is identical, constructed from local limestone with a struck-flush joint, giving it a beautifully crude and singular aesthetic. The soft golden color of the limestone complements the brickwork of the nearby church, creating a harmonious blend of materials. The towers' design is reminiscent of ancient ruins or walled gardens, inviting both human occupancy and the presence of nature, which is a refreshing and innovative approach to cemetery design.
The placement of the towers is not random. They are strategically positioned to form a pinwheel, allowing for private and discrete entries from a central brick terrace. This arrangement not only enhances the visual appeal but also provides a sense of intimacy and seclusion, which is crucial for a place of remembrance. The towers' design also pays homage to the monastic planning of the parish's foundation buildings, designed by architect Iris Rossen in 1986, creating a subtle yet powerful connection to the past.
The internal spaces of the columbarium are equally impressive. Each tower features a square plan hollowed out by an octagonal-shaped volume, symbolizing the eighth day in Christianity, which represents new creation and eternal life. A single piece of furniture, crafted from the trunk of a spotted gum, occupies the center of each columbarium, inviting visitors to sit and reflect. The stool's pentagonal shape is a nod to the five wounds of Christ, symbolizing sacrifice and love, adding a layer of spiritual significance to the space.
The internal walls of the columbaria are an exercise in careful stone masonry, with a matrix of small funerary-urn niches that express a social and non-hierarchical interment. The unadorned surfaces of the top of these walls register sunlight and the color of the sky above, creating a serene and ethereal atmosphere. The contrast between the dark and light, the raw and the refined, death and life, is a powerful visual and emotional experience as visitors exit the towers back into the enclosed garden.
The St Thomas More Columbarium is a prime example of how architecture can enhance our lives and connect us to our past, present, and future. It is a space that invites reflection, remembrance, and a deeper connection to the community. In my opinion, this project is a testament to the power of thoughtful design and the importance of creating spaces that are both functional and emotionally resonant. It is a space that will undoubtedly leave a lasting impression on all who visit it, serving as a reminder of the beauty and significance of life's memories.
